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This study technically explores the integration of leather and jute cords in the production of interior wall hangings, with particular emphasis on features of African indigenous motifs. While Ghana’s artistic traditions are widely expressed through pottery, textiles and carvings, limited attention has been given to wall hangings décors that combine sustainable local materials with cultural symbolism, techniques of integration and design principles. Employing the qualitative research using art practice-based approach, the research examined (i) indigenous motifs suitable for adaptation into wall hanging design, (ii) the physical and aesthetic properties of leather and jute cords as sustainable materials for innovative integration into wall hangings, and (iii) experimental production of wall hangings that embody these elements. Findings reveal that both materials offer durability, ecological value, and tactile appeal; while knotting and weaving techniques enabled integration, and technical translation of cultural motifs into creative wall hangings which serve as contemporary decorative art. The integration process demonstrates how indigenous artistry can inform sustainable interior design practices, creating products that preserve heritage, foster innovation, and support artisanal livelihoods. This study contributes to discourse on cultural heritage and creative arts as vital tools for identity, empowerment, and sustainable development.

Keywords: Jute, Leather, Indigenous Motifs, Wall Hangings, Cultural Heritage, Sustainable Design,